1,333 Royalty-Free Audio Tracks for "Elektron Analog Four"

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

Strange intermission.

A fun patch. Notice the connection between speed and tone.

I'm testing a new module. . .

Yeah! now i have got a vc switch! the jerk off is back in the rack!i have missed you.

Testing something i dont know i'm doing right.

This is nlc sloth. A chaos module. Doing. . . Chaos. Fade in and out. . .

Another patch. Almost melodic. . .

Playing around. . . Find your sample! check out around 5 min. . . .

Some noise made to sound like the noise generators used in analog drum synthesizers for things like cymbals. Made with helm, 4 comb filters, and a high-pass filter. Helm to generate square wave dissonance, comb filters to add stereo and more "structured noise" quality, and high pass filter to hide the lower overtones.

1 looping envelope and 2 vclfos in a dance. I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with the looping envelope in non looping mode. After about 19 sec i switch to looping-mode. Records and hope that a pattern should emerge. This time there is a pattern. Yay! not 100% stable but that's perfect!okay, it is harder to recognize patterns when a sequencer is involved.

Rumble made with wave rectifier, vactrolfilter etc. . . But a full spectrum rumble!.

A double krell patch making some bubbly sounds. Made on an analog modular synth.

Dirty fmaj7 cycling envelope variations. 2nd inversion. Lazy chord patch.

Strange beat. Recorded dry. No reverb. Why? answer i have sold my digital reverb. The one i had in my case. It's finally time for a spring reverb!!!gis_sweden goes fully analog! as long as i dont record with my computer. . .

Generative patch. Unedited. Does it need editing :-).

Using modules through analog heat. Have fun with it, make music, make sounds.

Synth loop created with novation peakkey of f minor108 bpm. Doctor dreamchipoctober 2020.

Cranked up resonance+lfo from the elektron analog heat.

Dark atmospheric horror background music recorded in audacity on a yamaha ew300 keyboard using analog synth voice and limited with a soft limiter in audacity of -5db to remove sharp spikes in recording.

A noise made with a analog modular synth. Used in my submission for disquiet junto project 0504: transform formula.

Answering machine voice saying sunday 11:05 am / sunday 8:33 pm. Recorded from a cassette tape 1991 [cc zero].

Patching up a burst-patch. There are x ways to do that. This is is the results of one.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

You will find a pattern. . .

Exploring my downsized synth. Feels great. A small synth with a trillion possibilities and hidden surprises.

Using an lfo, mixer, exp vca, envelope generator, cycling envelope generator and spring reverb to create strange sounds. Evaluation of patch/soundone cycle is about 28 sec - cycles. . . Dont knowonly short sounds - goodamplitude variation - goodpitch variation - mediumtimbre variation - mediummusical value - low to mediumentertaining - medium?.

Short, resonant logotone or ident sound. Sounds like something that might appear along with a video bumper before an early 80's pbs program.

Short, resonant logotone or ident sound. Sounds like something that might appear along with a video bumper before an early 80's pbs program.

Spoken countdown sequence with the words "five four three two one fire" recorded and edited in audacity.

Result from a short session. Sequencing with cvlfo, s/h, attenuverter, step sequencer.

A recording. . . It's up to you to "master" it. Use it. Make it worth. Peace.

Drone experimenti want sideband frequency 1 (s1) to be 110hzas fc (carrier) i use 164hzthen fm (modulator) must be 54hzcreated s2 will be 218hzslowly an lfo brings in the carrier frequency. This is mono. No fx. All analog. Listen to the electronics.

This loop has a title: obtain. Made on an analog modular synth.

Vacuum pro vst plugin thru a reverb chain with a easy multicrusher and ariesverb with freeclip plugin on the end.

Snare drum sound made on my analog modular synth.

Analog crt tv electronic static noise audio from when i was experimenting with circuit bending and synthesizers earlier this year. Recorded on an iphone using the ios voice memo app. No post-production.

A synthetic bass multisample. I created it using the virsyn cube additive synthesizer (vsti). I applied some eq using the sonalksis sv-517 equalizer plugin. The sound was compressed by the sonalksis sv-315 and nomad factory blue tubes cp2s compressor plugins. All great quality plugs. The sound is a nice but rather static emulation of a bass guitar. Use your sampler's velocity and pitch bending options to bring this multisample to life. All samples in a 24 bit, 44. 1 khz resolution. Loop points were added for sustained notes.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

The three parts are following the sam chaotic lfo.

Ff chaos test conditions:cv in from nlc jerkoff. Square wave in from lfo, 1hz. 3 vcos tuned to 130,8hz and one "strange sound". Cv in on vcos are attenuated, about 50%. Gate 1 and cv 1 to vco pan leftgate 2 and cv 2 to vco pan rightgate 3 to vco pan centertrigger to "strange sound" pan center. Sound 1 - cv min and rate minsound 2 - cv max and rate minsound 3 - cv min and rate maxsound 4 - cv max and rate maxsound 5 - cv at 50% and rate at 50%sound 6 - jerkoff to cv in on lfo. Vco 3 gets cv from jerkoff - chaos.

Based on the logistic equation. . .

Today i'm supposed to play with my modular, or anything. As long as i'm not disturb the boys watching gremlins down stairs. . . Okay. I put some modules out for sale. Made this. The sound is generated by self oscillating vcfs. I love sinus wave. I will sell my triple oscillator now. It does not have sinus wave! the randomness is generated to old fashion way. I don't have any fancy random trigger modules. Bla bla bla. . . I stop there.

Actually a quite simple patch with not many modules involved. A rewarding patch! have to take some notes. Fm-modulation off-course. Self oscillating filters. Lfos. Sample and hold. Modular fun! well. . . I think its fun.

This is my synth saying hi!.

Patch generating classic space sounds. . . Maybe to much is going on? and to fast. This sound even has an ending :-). A respect to the pioneers in this field. Bebe barron and louis barron. They made the music to forbidden planet (1956).

The vintage bass pack is a collection of bass one shots created in reason using synapse´s the legend synthesizer which is probably the best emulation of the original minimoog synthesizer available today. The sounds will be useable in a variety of music styles where vintage and powerful bass sound is needed. Enjoy!.